I like Michael Moore's movies. But I do not like Michael Moore.
I don't have many gripes with much of his agenda in Sicko. I agree that it's just fundamentally more humane and better policy to provide healthcare to everyone regardless of his ability to pay. But Moore fudges facts and outright lies in his work (deception by omission and through creative editing). Worse, he refuses to engage his critics on the merits of their often unassailable arguments about his cherry-picking techniques.
Check out this encounter with Dr. Sanjay Gupta on CNN the other night. He simply evades any criticism of the facts in his film, as if they aren't verifiable. And he refuses to answer the simple question Gupta repeatedly throws at him concerning Moore's contention that healthcare in Canada and France are "free." Of course, these people pay for their healthcare through much higher taxes. Why can't Moore just admit that? It's not the end of the world if he were to say, "Yes, there would be some trade-offs. No system is perfect. But we are not even close at the moment." Instead he just ducks the question and does everyone a disservice.
If you watch the video, Gupta comes across as perfectly calm and agreeable with a firm grasp of the facts. Moore comes off as defensive, irrational and evasive -- unwilling to address perfectly legitimate criticisms of his work. He isn't purporting to merely portray the forest for the trees when it comes to healthcare policy. He says over and over again that each of his trees are the gospel truth, raked over by an army of fact-checking lumberjacks. I'd have little problem with him if he'd only own up to his intentionally deceptive tactics, just flash a mischeivous smile, shrug and say: "You caught me, I know. I'm a bastard. But let's talk about the real problem here..." Instead, he comes off like Cheney denying what's happening in Iraq.
If you watch the video, Gupta comes across as perfectly calm and agreeable with a firm grasp of the facts. Moore comes off as defensive, irrational and evasive -- unwilling to address perfectly legitimate criticisms of his work. He isn't purporting to merely portray the forest for the trees when it comes to healthcare policy. He says over and over again that each of his trees are the gospel truth, raked over by an army of fact-checking lumberjacks. I'd have little problem with him if he'd only own up to his intentionally deceptive tactics, just flash a mischeivous smile, shrug and say: "You caught me, I know. I'm a bastard. But let's talk about the real problem here..." Instead, he comes off like Cheney denying what's happening in Iraq.
Moore's supporters often give him credit for fighting dirty like their opponents on the other side of the political spectrum. But I don't really go for the theory that Michael Moore may be an egotistical, deceitful, defensive prick but he's OUR egotistical, deceitful, defensive prick. I try to apply the same standards to all assholes. A good number of people who have worked for him even think he's a shitheel. And his methods are just as unforgivable as Hannity and Limbaugh and Coulter. The fact that he's right and they're wrong just makes it all the more frustrating.
If you have the truth on your side, you don't need to embellish it or mutate it or outright lie about shit. That only hurts the cause and provides distracting ammunition to opponents -- making the cause more about you than it.
I'm reminded of the bit in Bowling for Columbine when he shows Charlton Heston brandishing a rifle at an NRA convention, daring gun-rights opponents to pry it from his cold, dead hands. The editing of this sequence looks as though it was shot in Colorado just days after the shootings -- making Heston look like a complete monster. But the reality was quite different. (scroll down to #2) In another instance, Moore actually chops up two different speeches to completely change the scope and context of what Heston says.
I'm reminded of the bit in Bowling for Columbine when he shows Charlton Heston brandishing a rifle at an NRA convention, daring gun-rights opponents to pry it from his cold, dead hands. The editing of this sequence looks as though it was shot in Colorado just days after the shootings -- making Heston look like a complete monster. But the reality was quite different. (scroll down to #2) In another instance, Moore actually chops up two different speeches to completely change the scope and context of what Heston says.
And here is a link to the anti-Michael Moore site shown in the film. The guy who runs it is a little ticked off at how he is represented. And rightfully so if you read his reaction. These are somewhat minor gripes, but they are all of a piece with Moore's shameless manipulation of reality to suit his agenda.
(Granted, Moorewatch isn't necessarily providing a pure public service, because more often than not it appears to blindly support the healthcare industry or the NRA or whomever the fuck just because they oppose Moore. Like I said, it's not the message I abhore, just the messenger. It wouldn't be nearly as aggravating to me if he weren't so good at what he does. And if it didn't perpetuate the poorly researched and worse argued Moore/Coulter fault line on which our national discourse teters.)
Kurt Loder also wrote a nice review of Sicko. More Moore fair balance here.
Again, I'm not attacking the message, just the messenger. His movies are provocative and brilliantly made. But so was "Triumph of the Will."
Again, I'm not attacking the message, just the messenger. His movies are provocative and brilliantly made. But so was "Triumph of the Will."
4 comments:
I can't stand Michael Moore. He comes off as a sore loser. He didn't want Bush to win the election and was such a baby about it that he had to make a movie about 9/11 and the government. If 9/11 would have occurred under a democratic administration, do you think he would have made the movie or made it with such editing to make people look so much worse?
A documentary should be made with facts and edited fairly. Michael makes movies based on opinions and his beliefs and edits them to prove what he wants to say.
This guy is a piece of shit and I'll never waste 2 hours watching anything he makes again.
He doesn't make documentaries in the traditional sense -- movies that purport to investigate the ultimate truth of a topic. He makes opinion pieces intended to pursuade. I have no problem with this, as it's clear going into the film that you are only going to get one side of the story.
But it's indefensible for him to manipulate the plain truth to achieve his effect. More often than not, he's got plenty of facts on his side. So when he omits important details, cherry-picks data or fabricates outlandish conspiracies, he's rabble-rousing -- not muckraking. This does nobody any good and only further depreciates fair debate in this country.
There is much ammunition with which to criticize the Bush Administration. But when you theorize -- as he does in Fahrenheit 9/11 -- that the US invaded Afghanistan to help secure a deal for a particular pipeline (which hasn't happened and surely never will), then he's partying with the tin-foil-hat nuts.
i'm no legal expert, so this is really more of a question...but would heston have any basis for a lawsuit against moore? if so, why hasn't he sued his ass?
-chief
Heston has had Alzheimer's disease at least since 2003. So he likely has other things on his mind. Or more accurately, fewer and fewer things on his mind.
But if he were fully intact, I think he'd have a difficult time proving defamation in court. As a public figure, there is a higher legal standard to prove for slander (not sure if a film is considered libel or slander, but they are the same thing except libel involves the written word).
Heston would have to prove that Moore knowingly made false statements about Heston that tangibly damaged his reputation.
In most states, the truth is an absolute defense against a defamation claim. Moore could say that everything he showed Heston say in the movie were things Heston actually said. And any negative inference by the juxtoposition of images and his editing are in the mind of the viewer and not his intent. And with defamation of a public figure, intent is everything. He had to have actual malice -- either knowing the statements he made were false or deciding to publish them with reckless disregard for the truth.
I'm sure Moore knew these statements were either false or misleading, which is why he took so much care in chopping up the speeches. But the legal standards are harder to prove to a jury.
In addition, Moore could say that the film's "statements" about Heston were not capable of carrying defamatory meaning. He's not accusing Heston of being insane, a murderer, adulterer or having some loathesome disease. All he is saying is that he is a callous, mean person who doesn't show adequate sensitivity to a community mourning over dead children. Does this really damage his reputation in a tangible way? Maybe.
And since Heston is a public figure, he is a fairer target for criticism of his public actions, and the law assumes he would have adequate opportunity to defend himself in public.
Any questions?
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