Black People For Dummies

Many people wonder about my fascination with Bill O'Reilly. He's a demogogue and hypocrite of the highest order -- a vile and dangerous rabble-rouser completely divorced from facts, tolerance and reality. He's also a lot of fun to watch, mostly while screaming at the TV screen.

But all those screams are worth it when, quite regularly, he reveals his inner buffoon. Such as in this bit from his radio show the other day when talking with NPR's Juan Williams (excerpted at length to provide fair context):

O'REILLY: Now, how do we get to this point? Black people in this country understand that they've had a very, very tough go of it, and some of them can get past that, and some of them cannot. I don't think there's a black American who hasn't had a personal insult that they've had to deal with because of the color of their skin. I don't think there's one in the country. So you've got to accept that as being the truth. People deal with that stuff in a variety of ways. Some get bitter. Some say, [unintelligible] "You call me that, I'm gonna be more successful." OK, it depends on the personality.

So it's there. It's there, and I think it's getting better. I think black Americans are starting to think more and more for themselves. They're getting away from the Sharptons and the Jacksons and the people trying to lead them into a race-based culture. They're just trying to figure it out: "Look, I can make it. If I work hard and get educated, I can make it."

You know, I was up in Harlem a few weeks ago, and I actually had dinner with Al Sharpton, who is a very, very interesting guy. And he comes on The Factor a lot, and then I treated him to dinner, because he's made himself available to us, and I felt that I wanted to take him up there. And we went to Sylvia's, a very famous restaurant in Harlem. I had a great time, and all the people up there are tremendously respectful. They all watch The Factor. You know, when Sharpton and I walked in, it was like a big commotion and everything, but everybody was very nice.

And I couldn't get over the fact that there was no difference between Sylvia's restaurant and any other restaurant in New York City. I mean, it was exactly the same, even though it's run by blacks, primarily black patronship. It was the same, and that's really what this society's all about now here in the U.S.A. There's no difference. There's no difference. There may be a cultural entertainment -- people may gravitate toward different cultural entertainment, but you go down to Little Italy, and you're gonna have that. It has nothing to do with the color of anybody's skin.

[...]

O'REILLY: No, no, I mean, I like that soul food. I had the meatloaf special. I had coconut shrimp. I had the iced tea. It was great.

WILLIAMS: Well, let me just tell you, the one thing I would say is this. And we're talking about the kids who still like this gangsta rap, this vile poison that I think is absolutely, you know, literally a corruption of culture. I think that what you've got to take into account that it's still a majority white audience -- young, white people who think they're into rebelling against their parents who buy this stuff and think it's just a kick. You know, it's just a way of expressing their anti-authoritarianism.

O'REILLY: But it's a different -- it's a different dynamic, though.

WILLIAMS: Exactly right --

O'REILLY: Because the young, white kids don't have to struggle out of the ghetto.

WILLIAMS: Right, and also, I think they can have that as one phase of their lives.

O'REILLY: Yeah.

WILLIAMS: I think too many of the black kids take it as, "Oh, that's what it means to be authentically black. That's how you make money. That's how you become rich and famous and get on TV and get music videos." And you either get the boys or the girls. The girls think they have to, you know, be half-naked and spinning around like they're on meth in order to get any attention. It really corrupts people, and I think it adds, Bill, to some serious sociological problems, like the high out-of-wedlock birth rate because of this hypersexual imagery that then the kids adapt to some kind of reality. I mean, it's inauthentic. It's not in keeping with great black traditions of struggle and excellence, from Willie Mays to Aretha Franklin, but even in terms of academics, you know, going back to people like Charles Drew or Ben Carson here, the neurosurgeon at [Johns] Hopkins [University]. That stuff, all of a sudden, is pushed aside. That's treated as, "You're a nerd, you're acting white," if you try to be excellent and black.

O'REILLY: You know, and I went to the concert by Anita Baker at Radio City Music Hall, and the crowd was 50/50, black/white, and the blacks were well-dressed. And she came out -- Anita Baker came out on the stage and said, "Look, this is a show for the family. We're not gonna have any profanity here. We're not gonna do any rapping here." The band was excellent, but they were dressed in tuxedoes, and this is what white America doesn't know, particularly people who don't have a lot of interaction with black Americans. They think that the culture is dominated by Twista, Ludacris, and Snoop Dogg.

WILLIAMS: Oh, and it's just so awful. It's just so awful because, I mean, it's literally the sewer come to the surface, and now people take it that the sewer is the whole story --

O'REILLY: That's right. That's right. There wasn't one person in Sylvia's who was screaming, "M-Fer, I want more iced tea."

WILLIAMS: Please --

O'REILLY: You know, I mean, everybody was -- it was like going into an Italian restaurant in an all-white suburb in the sense of people were sitting there, and they were ordering and having fun. And there wasn't any kind of craziness at all.

Now, I agree that it's not worthy of coverage by the national news media. But really: What is these days?

It's not the kind of thing that deserve protests and recriminations and calls for his ouster. But this is hilarious. He lashed out at CNN last night for piling on -- blaming the messenger for his message. He accuses CNN, MSNBC and Media Matters of taking him out of context when they provide the complete context and links to recordings or transcripts of his actual words.

O'Reilly lives in New York City and works in media. It's amazing that he would explain to his audience that he "couldn't get over" the fact there was no difference between a black-owned restaurant and, you know, a normal restaurant. Even if he was striking an ignorant pose to relate to his audience, he's guilty of creating that ignorance in his audience by feeding them endless clips and sanctimonious derision of Ludacris and Nas and other black people he feels are dragging down the culture. His audience doesn't know any better, he figures. He's just trying to help defuse racism. But he should know better than to say something so obviously ignorant and demeaning about a black restaurant in Harlem.

Hey, Bill! I was on the Upper West Side of Manhattan yesterday at a Kosher diner. And you, know, the people there were kind, well-behaved and charged a reasonable fee. They dressed fashionably, but conservatively, covered their heads (I suppose to disguise their horns) and weren't scrambling on the floor for loose change or anything!

Perhaps his intentions were noble, but his statement reveals something particularly clueless and out-of-touch about this self-described man of the people. I mean, what was he expecting to see there?

As far as my fascination for Bill-O, I suppose Andrew Sullivan once said it best, using a term a friend of his had coined.

Hathos is the attraction to something you really can't stand; it's the compulsion of revulsion. I feel that way about Bill O'Reilly. Hannity is just evil. Grace is unwatchable past two minutes. O'Reilly, however, is compelling in some mysterious way. I need a fix every now and again - and not just of the turkey wobble neck. You find yourself watching him the way you sometimes smell your own farts: it's disgusting, but you can't help yourself.